Blak Whyte Gray, the electrifying dance-theater work from Olivier Award-winning East London company Boy Blue, returns to New York after a sensational sold-out U.S. premiere at Lincoln Center’s 2018 White Light Festival. With bold hip-hop choreography and a multilayered score that moves from driving electronics to African-influenced beats, Blak Whyte Gray pulses with physical virtuosity and

Blak Whyte Gray, the electrifying dance-theater work from Olivier Award-winning East London company Boy Blue, returns to New York after a sensational sold-out U.S. premiere at Lincoln Center’s 2018 White Light Festival. With bold hip-hop choreography and a multilayered score that moves from driving electronics to African-influenced beats, Blak Whyte Gray pulses with physical virtuosity and

Blak Whyte Gray, the electrifying dance-theater work from Olivier Award-winning East London company Boy Blue, returns to New York after a sensational sold-out U.S. premiere at Lincoln Center’s 2018 White Light Festival. With bold hip-hop choreography and a multilayered score that moves from driving electronics to African-influenced beats, Blak Whyte Gray pulses with physical virtuosity and

Cry to the world/That all might understand:/I was once a black clown/But now—/I’m a man! Fusing vaudeville, gospel, opera, jazz, and spirituals, The Black Clown brings Langston Hughes’s famed 1931 poem to life in a stunning new music-theater piece. Powerful and prescient, the experience of a black man’s resilience against a legacy of oppression unfolds, featuring baritone

Cry to the world/That all might understand:/I was once a black clown/But now—/I’m a man! Fusing vaudeville, gospel, opera, jazz, and spirituals, The Black Clown brings Langston Hughes’s famed 1931 poem to life in a stunning new music-theater piece. Powerful and prescient, the experience of a black man’s resilience against a legacy of oppression unfolds, featuring baritone

Cry to the world/That all might understand:/I was once a black clown/But now—/I’m a man! Fusing vaudeville, gospel, opera, jazz, and spirituals, The Black Clown brings Langston Hughes’s famed 1931 poem to life in a stunning new music-theater piece. Powerful and prescient, the experience of a black man’s resilience against a legacy of oppression unfolds, featuring baritone

Cry to the world/That all might understand:/I was once a black clown/But now—/I’m a man! Fusing vaudeville, gospel, opera, jazz, and spirituals, The Black Clown brings Langston Hughes’s famed 1931 poem to life in a stunning new music-theater piece. Powerful and prescient, the experience of a black man’s resilience against a legacy of oppression unfolds, featuring baritone

It’s our PRIDE show live in NYC!  It’s been 50 years since those Kweens rioted at Stonewall and high-kicked their way into the mainstream. Come celebrate with us as we tackle the documentary about the riot that started the gay civil rights movement: “Stonewall Uprising.” You not gonna want to miss this, honey.

Come behind the scenes for an up close and personal look while Mario demonstrates a glamorous “red carpet” makeup application. Learn as he shares tons of his coveted tips and tricks that have helped him become one of the most well-known celebrity makeup artists today. Many of Mario’s past students that he has taught around

The National Network for Safe Communities (NNSC), an internationally recognized action research center at John Jay College of Criminal Justice, provides proven, evidence-based, life-saving violence reduction strategies to dozens of communities across America and beyond. In June 2019, NNSC will simultaneously commemorate the 10th Anniversary of this impactful work and host our biennial National Conference – The Emerging

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