CUNY Dance Initiative and the Gerald W. Lynch Theater at John Jay College present Jon Lehrer Dance Company featuring the World Premiere of Through The Storm with music by Composer [...]
A NEW CHAMBER OPERA In the century of discovery, of empire and emancipation, six characters confront each other with their fears and doubts about what science demands, and what it may cost them and those whose world it is about to transform. Music by Zaid Jabri. Libretto by Yvette Christiansë and Rosalind Morris Directed by Crystal Manich, Conducted by Mark Shapiro Featuring Glenn Seven Allen, Jesse Blumberg, Kearstin Piper Brown, Sarah Heltzel, Juliet Petrus and Kevin Thompson with Flux Quartet, Maciej Frackiewicz and Jared Soldiviero Get Tickets Here: https://www.southerncrossingsopera.net/tickets All attendees must be fully vaccinated against COVID-19 as defined by the CDC, wear a mask for the duration of [...]
A NEW CHAMBER OPERA In the century of discovery, of empire and emancipation, six characters confront each other with their fears and doubts about what science demands, and what it may cost them and those whose world it is about to transform. Music by Zaid Jabri. Libretto by Yvette Christiansë and Rosalind Morris Directed by Crystal Manich, Conducted by Mark Shapiro Featuring Glenn Seven Allen, Jesse Blumberg, Kearstin Piper Brown, Sarah Heltzel, Juliet Petrus and Kevin Thompson with Flux Quartet, Maciej Frackiewicz and Jared Soldiviero Get Tickets Here: https://www.southerncrossingsopera.net/tickets All attendees must be fully vaccinated against COVID-19 as defined by the CDC, wear a mask for the duration of [...]
The Gerald W. Lynch Theater and CUNY Dance Initiative presents:
CDI 2023 Spring Artist in Residence
FRIDAY, APRIL 28, 7:30 PM
SATURDAY, APRIL 29, 7:30 PM
Tickets are $30 for adults, and $20 for students and seniors. For more information and to purchase tickets, visit https://mordance.ticketleap.com/mordance/.
Celebrating the company’s tenth anniversary performance season, the program’s collaborations are committed to dancemaking that embodies artistic excellence while promoting civic engagement and social awareness. Choreographer Morgan McEwen will be joined by composer Polina Nazaykinskaya to create a new work inspired by Emily Dickinson's poem They Shut Me Up In Prose with live accompaniment by Konstantin Soukhovetski and Jesus Rodolfo. An additional partnership with composer Josh Knowles is influenced by visual artist Chris Jordan's film Albatross. The much anticipated revival of McEwen's 2018 ballet Stabat Mater will round out this triple bill.
MorDance CUNY Dance Initiative The Gerald W. Lynch Theater and CUNY Dance Initiative presents: CDI 2023 Spring Artist in Residence FRIDAY, APRIL 28, 7:30 PM SATURDAY, APRIL 29, 7:30 PM [...]
Jenny Rocha is a choreographer, dancer, costume designer and Artistic Director of Rocha Dance Theater, a Brooklyn-based dance company since 2001. She is also the Director of The Painted Ladies, a cabaret group that was admitted into the Burlesque Hall of Fame in Las Vegas. A first generation Portuguese-American from New Bedford, Massachusetts, Rocha attended Roger Williams University for Dance and Performance, where she graduated with an Outstanding Achievement in Dance Award. She then moved to New York City, where Jenny served as a member of Sean Curran Company, Heidi Latsky Dance and other freelance choreographers for 12 collective years. Her choreography has been presented by esteemed venues such as The Philadelphia Museum of Art,The Boston Center for the Arts, Danspace Project, La MaMa, Galapagos Art Space, and more. Rocha has received awards and residencies including The Puffin Foundation grant, Galapagos Art Space Residency from 2008-2014, Armitage Gone! Dance/MANA Contemporary Space Residency and CUNY Dance Initiative in 2015 and 2018. The US Embassy in Lisbon awarded her an Innovation Grant to perform her work Battledress in Azores, Portugal, as well as host educational workshops in September, 2018. Rocha’s choreography has received critical acclaim in The New York Times, The Boston Globe, and The Village Voice, among others. As a teaching artist, she has taught dance at universities and colleges nationwide, including Roger Williams University, Connecticut College, West Virginia University, and Lehman College. Rocha currently teaches choreography at the Brooklyn Academy of Music and serves on the guest faculty of Mark Morris Dance Center.
A technology-infused reimagining of the iconic ballet masterwork that examines the ways social media has leveraged an unexpected change on the nature of modern love and relationships.
A technology-infused reimagining of the iconic ballet masterwork that examines the ways social media has leveraged an unexpected change on the nature of modern love and relationships.
The SoHarmoniums’ presents "Women Inspiring Tomorrow", a concert dedicated to uplifting women’s voices through singing. It will feature five generations of women performing works ranging from classical to contemporary and all composed by women. Special guests, the young women of the Young People's Chorus of NYC.
During our theater production of Bruised But Not Broken, you will step into the lives of the Thomas sisters as they learn more about themselves and each other. Watch as they unveil pieces of themselves…the pieces that they didn't want anyone to see…the parts of themselves they were ashamed of and tried so desperately to hide.
Bruised But Not Broken is about healing when you think you were too messed up, too damaged, and too bruised to heal. This production teaches you how to get up after you have fallen. God's ability to take what the enemy meant for evil and turn it into good is manifested in every scene. Remember, bitter becomes sweet when you put it in the Master's hands.
Tabula Rasa Dance Theater presents the world premiere of BORDER OF LIGHTS, a dance program about the US-México border wall and the scourge of xenophobia. Our company believes that xenophobia is an integral part of racism. We propose that xenophobia is a rejection of civilization.
BORDER OF LIGHTS invites audiences to help dismantle the obsolete walls that divide us.
Tabula Rasa Dance Theater presents the world premiere of BORDER OF LIGHTS, a dance program about the US-México border wall and the scourge of xenophobia. Our company believes that xenophobia is an integral part of racism. We propose that xenophobia is a rejection of civilization.
BORDER OF LIGHTS invites audiences to help dismantle the obsolete walls that divide us.
A novel intelligence has roared into the mainstream, sparking euphoric excitement as well as abject fear. Explore the landscape of possible futures in a brave new world of thinking machines, with the very leaders at the vanguard of artificial intelligence. This Program is SOLD OUT. To join the wait list, click here:
Grappling with A New Kind of Intelligence - Gerald W. Lynch Theater, New York, New York - September 21st 2023 | Afton Tickets.
The powerful blending of theory and observation has catapulted cosmology from campfire storytelling to precision science. Join this conversation among scientists at the forefront of fundamental physics and astronomy who are pushing that understanding ever closer to the beginning of time.
A hundred years ago, scientists studying the microworld were stunned by a revolutionary new understanding, Quantum Mechanics, which has proved to be the most precise and the most puzzling description of nature’s workings ever conceived. Join researchers known for their vivid and accessible accounts of complex scientific ideas for a mind-bending journey to the forefront of the strange and mysterious realm of quantum reality.
Einstein dreamed of a unified theory of nature’s laws. String theory has long promised to deliver it: a mathematically elegant description that some have called a “theory of everything.” Join one of the most influential groups of theorists ever assembled on a single stage to evaluate the current state of this most ambitious of theories.
Dark energy is a mystery substance believed to drive the expansion of space. Black holes are monstrous regions endowed with such powerful gravitational pull that material relentlessly falls inward. White holes are hypothetical time-reversed versions of black holes, in which material relentlessly streams outward. Together, these ideas–ranging from confirmed to highly speculative–extend Einstein’s vision of reality and advance our understanding of fundamental physical law. Join renowned researchers to explore the wondrous implications of gravity pushed to the extreme.
At Teatro Grattacielo, we are driven by a fundamental mission: to promote and preserve the performances of rare operatic masterpieces. This season, we are thrilled to align ourselves with the global celebration of the 100th anniversary of the birth of the legendary soprano, Maria Callas. These momentous celebrations are graciously supported by UNESCO.
We invite you to embark on a journey into history as we revive the remarkable opera, La Vestale, composed by Gaspare Spontini. This particular opera holds special significance in Callas’ career, as she mesmerized audiences during its performance on Teatro Alla Scala’s opening night in 1954, brilliantly directed by the renowned Italian film director Luchino Visconti, has only graced the stage of the Metropolitan Opera once, way back in 1926.
Now, almost a century later, Teatro Grattacielo proudly brings the historic 1954 version of La Vestale back to the vibrant city of New York.
Prepare to be mesmerized by the captivating performances of renowned artists, who will transport you back to the golden age of Baroque. Delight in the intricate melodies and elaborate compositions that defined this era.
The debate within psychoanalysis about the role of the sociopolitical in the treatment room exemplifies what defines the practice in the first place: the study of blind spots. The hidden “self” gradually manifests, becoming less alien to the other and less other to the alien. Narcissistic wishes both confront and meet the needs of society, but how does the individual reconcile narcissistic wishes with society’s claims? This conference proposes situating the unconscious in the sociocultural and the sociocultural in the unconscious — through an investigation of fantasies of otherness (as characterized by the factors that interfere with narcissistic gratification) and othering (as defined by the pathologizing of the narcissistic aims).